-Manet, Olympia, Paris, Late Nineteenth Century, Realism,

-dark sharp outlining that is to help define the painting as well as make it look flat and therefore remind the audience that this is a painting, subject is an imaginary person based on a high society, urban prositute

-very open in her gaze and positioning in order to look at the client which is in the space the audience is, made people feel uncomfortable,

-Olympia is a stage name that connects her to greek/roman art ad well as the similaries with Titian's Venus of Urbino

-her accessories further the idea that she isn't wearing any clothes, engages directly with the viewer

-percieved the courtesean and the black maid as moral depravity and animal sexuality